Negeriku

In Negeriku, Indonesian artist Luthfi Madina offers a poignant visual narrative exploring the nation’s colonial past and cultural identity. Drawing from Indonesia’s historical role in the global spice trade—from the 15th to the 17th centuries—Madina reflects on how the archipelago’s abundant natural wealth once rivaled gold in value, attracting waves of colonial exploitation.

The work is composed in atmospheric layers. The background features the tranquil waters of Sangihe, specifically the Embuhanga coastline, evoking the natural beauty and maritime richness of the region. In the middle ground, a portrait of General Soedirman, a revered national hero, stands as a symbol of resistance and patriotism. Scattered throughout the piece are sunken treasure chests, left empty, representing the massive pillaging of Indonesia’s resources—its spices, gold, and dignity—ultimately exchanged for the illusion of modern economic value, subtly portrayed through deflated rupiah banknotes.

Bordering the canvas are intricate traditional motifs from four major ethnic groups in Indonesia’s northernmost provinces: Minahasa (top), Mongondow (right), Sangihe (left), and Gorontalo (bottom). These elements serve as visual anchors to Bhinneka Tunggal Ika, Indonesia’s national motto: Unity in Diversity.

Madina employs glazing and wet-on-dry techniques—methods used by classical European painters—yet applies them with a distinctly contemporary sensibility. The result is a transparent, multilayered surface that invites deeper reflection and emotional engagement. The artist also integrates modern oil mediums to ensure the longevity and quality of the work.

Through Negeriku, Luthfi Madina urges viewers to revisit the complex history of Indonesia—not with nostalgia, but with awareness—and to reconnect with the soul of the nation. The work becomes both a tribute and a call to consciousness, reminding us that identity is forged through memory, resistance, and cultural pride.